After so much time of releasing it, Pakistan’s blockbuster film WAAR finally made its worldwide premier on Television today. Produced by Hassan Waqar Rana and directed by the immensely talented Bilal Lashari, Pakistani Movie Waar broke several records in Pakistan’s cinema history.
The journey of Pakistani Olympian boxer Hussain Shah, who started his life on the streets of Lyari, Karachi as a homeless child and went on to dominate Asian boxing for nearly a. Watch the full movie, online. 1992 180 min NR (Not Rated) Drama Feature Film SD. 1992 180 min NR (Not Rated) Drama Feature Film SD. Waar 2013 Pakistani Movie Full HD Free Download Produced by Hassan Waqar Rana and directed by the immensely talented Bilal Lashari, Pakistani Movie Waar broke several records in Pakistan’s cinema history. Yalgaar (1992) cast and crew credits, including actors, actresses, directors, writers and more. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight.
The story of the film based upon Terrorism in Pakistan. In the film “Waar” waar started against terrorists when they were planning about a major terrorist attack on Pakistan.
The Film Waar reflect the image of Pakistan Army and it has been shown that how much they sacrifice. According to the analysts that this film will bring change in the Pakistani Film industry.
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Synopsis: Appu is a class 10th student and is giving up on studies, because she knows her mother will not be able to provide for her higher studies. Her mother tries hard and even enrolled her for maths tuition but Appu thinks only children of rich parents become doctors or engineers and believes she’ll end up being a maid too like her mother. But one day her mother gets a chance to continue her Education. Appu has decided that she will become a maid just like her mother Chanda and she gives up on studies but Chanda doesn’t give up on her daughter’s future and works hard day and night to earn enough money, even she start going school as she cannot afford to pay high maths tution fee for her daughter and teaches her too. Ultimately she succeeds in helping her daughter realize the dream and helps her because She doesn’t want her to give up on her dreams just because they are poor but she wants her to realize her own dream and stay focussed.
Review: The title is a fallen-into-disuse Hindi phrase. Nil means zero. Bata/ Battey is a word for division. And `sannata’ is, of course, silence. Or ‘shoonya’. Zero divided by zero is equal to? Yep. Zero. ‘Matric- fail’ Chanda Sahay (Swara Bhaskar), of course, calls it `jeero’. Because the ‘z’ is a sound you can expect, more or less, from those who went to schools where the Queen’s English is taught from the get go. What drives the film’s characters to use this flavourful, salty phrase is Chanda’s daughter Apeksha (Riya Shukla), or Apu, and her sullen reluctance to learn. Especially those pesky numbers. Chanda works her fingers to the bone, in multiple menial-mechanical jobs, to put Apu through school. She wants big things for her only child, and said child is quite happy to occupy the back bench and get bad marks. One of Chanda’s employers, a humane doctor (Ratna Pathak Shah) who sees Chanda as a human being, not just a work machine, helps create a situation in which mother and daughter end up getting some learning, both in a school setting and at home, both separately and together. There are a few contrived scenes. Apu’s occasionally-overdone brashness gets her to speak rudely to her mother, and some of those lines feel like dialogues being delivered. Chanda describes herself as a ‘misrani’, a word that got me instantly nostalgic, but in her case it’s a misnomer : a ‘misrani’ is a woman who comes, cooks, leaves; Chanda is more an all-purpose housekeeper, and also works shifts in sweat-shops. And you can’t use the UP ‘misrani’ and Maharashtrian ‘bai’ interchangeably, which is what the film does. It’s a small thing, but in a film that relies on keeping things real, it jars, just a little. The colloquial ‘lalli’, used for a ‘little girl’ almost makes up for it. Almost.
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